hill house in napa, ca

hill house in napa, ca

vermont shack

vermont shack

shower outdoors

shower outdoors

shed + found landscape

shed + found landscape

great place for a shower

great place for a shower

napa house pool

napa house pool

nickerson wakefield house An expansive vista of distant mountains and wooded valleys opens the dialog between the specific site and the larger landscape.  The unfinished concrete foundation of a speculative ski house lay dormant, a mute ruin, when the land was purchased.  The decision to incorporate it into the design rather than tear it down initiated a conversation between new construction and old as well as between house and landscape. Wanting to take advantage of passive solar heating and to maximize the views, an extruded linear form was placed perpendicular to the existing foundation walls and parallel with the mountain ridge and valley beyond. Carport, entry and all services are located in the spaces formed within the pre-existing foundation.  Two distinctive entries into the house are provided.  One can enter directly under the new structure and rise through the house from darkness to light, from tall concrete retaining walls to wood and glass, from containment to release.  Alternatively, a more ceremonial entry moves one from the apple trees and meadow at the upper level to a wooden boardwalk that pierces the structure and skewers the view beyond. Entering the low structure on the boardwalk, both volume and access to the landscape open up.  Emerging at the southern glazed wall, passing between the outdoor fireplace and bench, the vista expands over the concrete walls of the foundation towards the outdoor shower and mountains beyond.  The long extruded form of the wooden house with oversized glazing turns the weather into wallpaper.  The rising shed roof of the house permits natural light to stream into the house, balanced by the lower, more intimate scale in the enclosed private rooms (e.g. bedrooms and bathrooms). The boardwalk serves as both a destination and an integral part of the circulation, where vertical movement through the house is via interior and exterior steel stairs hung from this long wood plane.  The outdoor fireplace and bench positioned just outside the house are discreet elements that create a pause, while the outdoor shower beckons at the far end as the boardwalk, vectoring to the landscape beyond. Below, the foundation forms a new outdoor room. A room with no name, which adds an urban destination to the collection of spaces. With access from above as well as from the studio and lower level entry, this residual space is revitalized as a stone garden, a solar trap, a child’s play area with a bridge above, a windbreak, an observatory. It offers an intimate respite from the relentless views.  Existing window openings in the foundation become framed portholes for views of the woods and sky. Anchored to the hillside, the structure, like a spatial valve, mediates between the small-scale agrarian landscape (meadows, paths, apple trees and woodland) and the larger scale of mountains humping through the horizon.  As a sculptural ruin transformed into a home in a rural setting, the design addresses the desire for intimate spaces while responding to the wide panorama of the valley, melding a humble, approachable facade with the drama of the revitalized fortification.

nickerson wakefield house

An expansive vista of distant mountains and wooded valleys opens the dialog between the specific site and the larger landscape.  The unfinished concrete foundation of a speculative ski house lay dormant, a mute ruin, when the land was purchased.  

The decision to incorporate it into the design rather than tear it down initiated a conversation between new construction and old as well as between house and landscape. Wanting to take advantage of passive solar heating and to maximize the views, an extruded linear form was placed perpendicular to the existing foundation walls and parallel with the mountain ridge and valley beyond. Carport, entry and all services are located in the spaces formed within the pre-existing foundation.  

Two distinctive entries into the house are provided.  One can enter directly under the new structure and rise through the house from darkness to light, from tall concrete retaining walls to wood and glass, from containment to release.  Alternatively, a more ceremonial entry moves one from the apple trees and meadow at the upper level to a wooden boardwalk that pierces the structure and skewers the view beyond. 

Entering the low structure on the boardwalk, both volume and access to the landscape open up.  Emerging at the southern glazed wall, passing between the outdoor fireplace and bench, the vista expands over the concrete walls of the foundation towards the outdoor shower and mountains beyond.  

The long extruded form of the wooden house with oversized glazing turns the weather into wallpaper.  The rising shed roof of the house permits natural light to stream into the house, balanced by the lower, more intimate scale in the enclosed private rooms (e.g. bedrooms and bathrooms). 

The boardwalk serves as both a destination and an integral part of the circulation, where vertical movement through the house is via interior and exterior steel stairs hung from this long wood plane.  The outdoor fireplace and bench positioned just outside the house are discreet elements that create a pause, while the outdoor shower beckons at the far end as the boardwalk, vectoring to the landscape beyond. 

Below, the foundation forms a new outdoor room. A room with no name, which adds an urban destination to the collection of spaces. With access from above as well as from the studio and lower level entry, this residual space is revitalized as a stone garden, a solar trap, a child’s play area with a bridge above, a windbreak, an observatory. It offers an intimate respite from the relentless views.  Existing window openings in the foundation become framed portholes for views of the woods and sky. 

Anchored to the hillside, the structure, like a spatial valve, mediates between the small-scale agrarian landscape (meadows, paths, apple trees and woodland) and the larger scale of mountains humping through the horizon.  As a sculptural ruin transformed into a home in a rural setting, the design addresses the desire for intimate spaces while responding to the wide panorama of the valley, melding a humble, approachable facade with the drama of the revitalized fortification.

vermont shack A ‘summerhaus’ that takes its parentage from Connecticut River valley tobacco barns and vermont corn cribs.  It’s a woven basket that contains a screen porch and loft, dog trot/ mud room, and a winterized portion that has bathroom (future), kids loft and living quarters.  A vector aimed at Mt. Monadnock, it mediates between woodland and meadow and is part of a larger composition of a pond, hot tub and future barn, house and sauna.   An extruded form, anchored at one end by a moss covered rock ledge and supported at the other by a black asphalt shingled box, it nudges a grove of ancient, shaggy sugar maples.  It hovers in the landscape.  An oversized entry stair makes an urban stoop overlooking the meadow and the pond beyond.   A covered bridge at the scale of a mobile home it can be locked up and forgotten for months at a time and re-opened incrementally, depending on the season.  Heated by a wood stove and by the sun, cooled by breezes, its dimensions (10’W x 65’ L) make it as much about wall as it is about volume. Windows skitter from end to end, framing small bits of the landscape.  Light filters through the black stained spaced boards of the exterior emphasizing the horizontal shadow lines that would typically be found on the white clapboard covered structures indigenous to the area. At night it glows softly like a paper lantern in the woods.

vermont shack

A ‘summerhaus’ that takes its parentage from Connecticut River valley tobacco barns and vermont corn cribs.  It’s a woven basket that contains a screen porch and loft, dog trot/ mud room, and a winterized portion that has bathroom (future), kids loft and living quarters.  

A vector aimed at Mt. Monadnock, it mediates between woodland and meadow and is part of a larger composition of a pond, hot tub and future barn, house and sauna.   

An extruded form, anchored at one end by a moss covered rock ledge and supported at the other by a black asphalt shingled box, it nudges a grove of ancient, shaggy sugar maples.  It hovers in the landscape.  An oversized entry stair makes an urban stoop overlooking the meadow and the pond beyond.   A covered bridge at the scale of a mobile home it can be locked up and forgotten for months at a time and re-opened incrementally, depending on the season.  

Heated by a wood stove and by the sun, cooled by breezes, its dimensions (10’W x 65’ L) make it as much about wall as it is about volume. Windows skitter from end to end, framing small bits of the landscape.  Light filters through the black stained spaced boards of the exterior emphasizing the horizontal shadow lines that would typically be found on the white clapboard covered structures indigenous to the area. 

At night it glows softly like a paper lantern in the woods.